Monday, May 9, 2011

Sanity is Just a State of Mind (House, 1986)


When I was in high school, a buddy of mine and I actually watched this movie way too many times. Not only is it really weird, but the film has odd flashbacks that keep popping up throughout and are not fully explained until later on in the movie. All I know is that a Vietnam vet who writes freaky novels decides to move into his aunt's house after she decides to hang herself. How nice of him to take over the place despite the fact that it drove his last remaining relative utterly insane. This is usually how horror movies, especially ones about haunted/possessed houses, often start, so I let that aspect slide.

However, the movie itself doesn't sustain enough tension, and even though there are really creepy moments, they are often negatively impacted by the movie's way too campy/cheesy tone. This hurts the movie, along with the fact that some aspects are obviously borrowed from other movies. Funny enough though when the main character, Roger, is attacked by inanimate objects, that bit reminds me of Evil Dead II: Dead by Dawn, even though that movie came out a year later.

The difference between the two is that Evil Dead II actually succeeds in giving off a creepy/hilarious vibe with such a technique, where as in House its too random and isn't anything other than eye rolling. I guess its all how you film certain material, and if the director is smart enough to properly set up his more outlandish and frightening scenes.

Oh there are some really hilarious moments, such as when Roger kills and cuts up a monster, and then the soundtrack decides to play oldies tracks that only make the scenes more disturbing, which I suppose means that bit works. George Wendt from Cheers at some point helps out Roger by making sure he doesn't go to jail, and only exists for clear comedic relief. So the movie veers from comedy to horror, not smart enough to do either incredibly well, although at times it does succeed at being creepy.

My favorite scene has to be some demonic winged monster grabbing Roger's shotgun, turning it on him, and shooting the rope holding him up, causing him to fall into a pit below. Such a moment is too random to mean anything, but it made me laugh a lot, which perhaps was really its intended goal. Or the director actually thought something like that would scare audiences.

Unlike some of the rather stupid 80s slasher movies, though, this film does have a certain degree of campy charm that stamps its status as a B-movie cult film. What's really disappointing is that the movie should have stuck with Roger just going completely insane. In the hands of a better director, the film would have been something like Legend of Hell House, or The Haunting, far better films that are not only creepy, but are really more effective. Too bad, because I wish I could actively champion this movie as being an gem from my birth year, instead of merely enjoying it for being a limited, weak, but entertaining little movie. 68

Monday, May 2, 2011

Cannibalistic Underground British Tunnel Dwellers



Considering that both are considered cult classics, its really no surprise that a couple weeks back TCM showed Strange Behavior and Raw Meat back to back. Thanks to Rowland I heard of both, and I think both get the same rating. Now Raw Meat has some rather obvious allegorical references, and the movie could have gone a bit further with some of its political/social commentary. At the same time, that would detract from the fact that its a fairly solid, creepy film that smartly utilizes violence and gore that results in the audience getting moments that are rather shocking, and thus have an effect on the viewer.

Elements of the main cannibal's behavior almost reminded me of Texas Chainsaw Massacre, and thus I wonder if Tobe Hooper wasn't a bit influenced by this movie. Only one jump scare is even used, which is a good thing, especially since that moment actually freaked me out quite a bit. I loved how many scenes were not underscored by music, as the tunnels are rather creepy. The drip drip sounds and the echoing footsteps would be enough to drive anyone down there crazy, and I'm glad there isn't anything to ruin such moments.

Having also recently seen Let Sleeping Corpses Lie, with its keystone cops, I have to wonder if it was in fact 70s horror that established the eventual cliche of "The police are powerless to deal or handle some incredible evil they've never seen before." Donald Pleasance, who sadly later became type casted, gives his character a funny and grumpy persona that has a rather oddly calm manner, considering that he's dealing with a murderous underground dweller running amok. I'm not even sure why Christopher Lee is in this movie, as he only has one scene and doesn't even do much. Perhaps he was on contract for the studio, which was common in those days with many famous horror movie actors.

Despite some of its notable faults (I think the film could have been a bit scarier, and they could have pushed the envelope more), this is one is a hidden gem. I'm glad that Netflix had it on Instant Viewing, as the transfer looked good (although on full screen it was a bit blurry), and this movie is another reason to love 70s horror. Its a unique gem, original and worthy of note, and another reason why 70s horror is the best: the 80s would have turned this into a dumb slasher movie, and the 60s wouldn't have gone far enough. 82

Tuesday, April 26, 2011

Bull Durham (1988, Ron Shelton)



I'll admit that I've always had a soft spot for sports movies. They are usually entertaining despite having typical sports style cliches, and many times they are similar, but I keep tuning in anyways. However, the good and great ones are more about the characters, why they play the game, and about how sports can so easily be connected to life and the mysteries of the universe. At least that's how Ron Shelton's baseball movie classic Bull Durham looks at America's past time. This a comedy that also features some well created drama, especially towards the end, and has well rounded, likable characters and some of the most well written dialogue I've seen in well, any movie, period.

The great cast does indeed help, as it features Tim Robbins, Susan Sarandon and Kevin Costner in an interesting love triangle. Most of the film's laughs come from amazing monologues, such as Costner's ad libbed "I believe in...." speech that brought a smile to my face, or Sarandon's Annie's voice over stating one of her unique and straightfoward quotations and opinions about life, the game, and everything else. I'm sure that Robbins' Nuke reminds some of us of certain guys who have played the game in the past, or who are in the Major Leagues now, and even though Costner was actually not much older than Robbins he embodies the world wary, ancient feeling Crash Davis particularly well.

What's also remarkable about this movie is how Shelton brings out the humor in your seemingly average, typical baseball scenes. One of my favorite moments is when Crash, Nuke, and practically the entire team is at the mound, and Crash tells the assistant manager everything going on, closing with "We are dealing with a lot of shit." Sure there are some outrageous moments, but they only add to the film, not detract from it. And hey you can't go wrong with a film that has a last act that, even though it may feel out of place in a film as silly at times as this one, is really quite moving. That last scene is rather simple, yet profound, and I wouldn't have Shelton end things any other way.

To me, Field of Dreams is still the better movie, but I think over time this one may surpass it. For now I'd say that Costner's best role is in Open Range, but Crash and his funny, charasmatic and awesome role as Roy in Shelton's Tin Cup stand as my personal favorites. I'm just glad that they never made a sequel, although you could almost consider the also rather funny but lesser Major League, which came out a year later, as this movie's big league counterpart. 95

Tuesday, April 19, 2011

Most Anticipated 2011



I finally decided to go through IMDB.com to form some kind of terrible list (and not on it are Rango, Drive Angry, or Scream 4, as I've seen Scream 4, and the others I will probably rent when they come out on DVD).

1. Tree of Life-95
2. Super 8-95
3. Drive-100
4. X-Men: First Class-90
5. Everything Must Go-91
6. Super
7. Hobo With a Shotgun-83
8. Rubber-85
9. Stake Land-87
10. Hesher-93
11. Cat Run
12. Henry's Crime
13. Pirates of the Caribbean: On Stranger Tides
14. The Hangover Part II-77
15. Cowboys & Aliens-79
16. Fright Night
17. The Rum Diary
18. Hugo-98
19. Sherlock Holmes: A Game of Shadows-90
20. Mission: Impossible - Ghost Protocol-90

Wednesday, April 13, 2011

Never Piss Off a Satanic Cult




I actually wish this had been my first Jacques Tourneur film and not Out of the Past. Don't get me wrong, his 1947 film is a great hard boiled film noir classic, setting standards for the genre. It’s just that Jacques Tourneur was really a horror director. An auteur so to speak, working with the same producer, Val Lewton, for a number of films. I haven't seen all of them though but I eventually plan to, as from what I've seen the man knows how to make a good picture. Despite his budget restraints and the fact that he made movies in the 1940s when the industry was just entering middle age, the guy pulled off some worthy and even creepy films that have since been regarded as worthy additions to not only the horror genre but also cinema.

Anyways, Curse of the Demon is for the most part an excellent example of how Tourneur suggested horrible things without really showing them. Yes the demon does make an appearance, but this wasn't actually part of his plan and the creature isn't really featured hardly at all. This only makes it fiercer, strange, and gives it an awesome and eerie menacing quality. I love how its looks exactly like a soldier of the Devil would appear like, and it has a grand entrance that is both freaky and cool despite the obviously dated special effects.

The protagonist, played by Dana Andrews, simply fills the role of the skeptical man of knowledge who finally realizes too late that guess what: the supernatural, the ancient evil that lurks beneath the world of science and understanding will get you. And rip you're face off before chewing on your soul and then picking you're remains out of your teeth using another hapless victim. And naturally there's a devil worshipper who controls this foul creature with a method that seems both sensible and silly all at the same time.

For the most part one can take this film both seriously while also regarding it as a rather silly yet entertaining movie. The demon is pretty badass, and the use of shadows and music only add to the film's already creepy and somewhat surreal quality. For this and more, Tourneur is to be admired, to be inspire and be copied by other horror directors, as he is the shining standard of "Less is more." That doesn't always work in every horror movie, but the creators of some rather modern and recent bombastic, typically wretched horror films could learn something from the man. Grade: 81

Tuesday, March 8, 2011

Top 10s: 1990-2010

These are subject to change after more numerous viewings:

1990:

1. Goodfellas-****
2. Miller's Crossing (1990)-*** 1/2
3. Total Recall-*** 1/2
4. Wild At Heart-*** 1/2
5. Dances With Wolves-*** 1/2
6. The Hunt For Red October-*** 1/2
7. Arachnophobia-***
8. The Rescuers Down Under-***
9. Tremors-***
10. Gremlins 2: The New Batch-***

1991:

1. JFK-****
2. Terminator 2: Judgement Day-****
3. Boyz N the Hood-*** 1/2
4. The Silence of the Lambs-*** 1/2
5. The Fisher King-*** 1/2
6. Homicide-***
7. Star Trek VI: The Undiscovered Country-***
8. City Slickers-***
9. Dead Again-***
10. Rosencrantz & Guildenstern Are Dead-***

1992:

1. Unforgiven-****
2. Dead Alive-****
3. Bob Roberts-****
4. Porco Rosso-*** 1/2
5. Sneakers-*** 1/2
6. Hard Boiled-*** 1/2
7. Reservoir Dogs-***
8. Hero-***
9. The Last of the Mohicans-***
10. Wayne's World-***

1993:

1. Wallace and Gromit in The Wrong Trousers-****
2. Dazed and Confused-****
3. Groundhog Day-*** 1/2
4. Jurassic Park-*** 1/2
5. The Fugitive-*** 1/2
6. Cronos-*** 1/2
7. Menace II Society-*** 1/2
8. Army of Darkness-***
9. True Romance-***
10. The Sandlot-***

1994:

1. Pulp Fiction-****
2. Ed Wood-****
3. Hoop Dreams-****
4. Forrest Gump-****
5. The Shawshank Redemption-*** 1/2
6. Chungking Express-*** 1/2
7. The Lion King-*** 1/2
8. Leon: The Professional-*** 1/2
9. To Live-*** 1/2
10. Speed-*** 1/2

1995:

1. Seven-****
2. The Usual Suspects-****
3. Casino-****
4. Dead Man-*** 1/2
5. Toy Story-*** 1/2
6. Apollo 13-*** 1/2
7. Babe-*** 1/2
8. Goldeneye-*** 1/2
9. In The Mouth of Madness-*** 1/2
10. Wallace and Gromit in a Close Shave-***

1996:

1. Fargo-****
2. Lone Star-*** 1/2
3. Trainspotting-*** 1/2
4. Sling Blade-*** 1/2
5. Tin Cup-***
6. Mystery Science Theater 3000: The Movie-***
7. Scream-***
8. The People vs. Larry Flynt-***
9. Bottle Rocket-***
10. The Crucible-***

1997:

1. Lost Highway-****
2. L.A. Confidential-****
3. Geri's Game-****
4. Donnie Brasco-****
5. Jackie Brown-*** 1/2
6. Good Will Hunting-*** 1/2
7. As Good As It Gets-***
8. 12 Angry Men-***
9. The Fifth Element-***
10. Grosse Point Blank-***

1998:

1. Rushmore-****
2. The Big Lebowski-****
3. The Truman Show-****
4. Saving Private Ryan-****
5. Fear and Loathing in Las Vegas-*** 1/2
6. He Got Game-*** 1/2
7. Bulworth-*** 1/2
8. Pi-***
9. Enemy of the State-***
10. Zero Effect-***

1999:

1. The Limey-****
2. Fight Club-****
3. Toy Story 2-*** 1/2
4. Three Kings-*** 1/2
5. Galaxy Quest-*** 1/2
6. South Park: Bigger, Longer, and Uncut-*** 1/2
7. The Sixth Sense-*** 1/2
8. Office Space-*** 1/2
9. Ghost Dog: The Way of the Samurai-***
10. Sleepy Hollow-***

2000:

1. The Exorcist: The Version You've Never Seen-****
2. In The Mood For Love-****
3. George Washington-****
4. Unbreakable-****
5. Crouching Tiger, Hidden Dragon-*** 1/2
6. For the Birds-*** 1/2
7. American Psycho-*** 1/2
8. Battle Royale-***
9. Chicken Run-***
10. Snatch-***

2001:

1. Mulholland Drive-****
2. Memento-****
3. Amelie-****
4. The Royal Tenenbaums-****
5. Apocalypse Now Redux-****
6. Band of Brothers-****
7. The Lord of the Rings: The Fellowship of the Ring-*** 1/2
8. 61*-*** 1/2
9. Pulse (Kairo)-***
10. Series 7: The Contenders-***

2002:

1. Adaption-****
2. Spirited Away-****
3. Narc-****
4. 28 Days Later-*** 1/2
5. Gangs of New York-*** 1/2
6. A Season On The Brink-*** 1/2
7. Road to Perdition-*** 1/2
8. Dog Soldiers-***
9. About Schmidt-***
10. Bubba Ho-Tep-***

2003:

1. The Lord of the Rings: The Return of the King-****
2. Finding Nemo-*** 1/2
3. All The Real Girls-*** 1/2
4. Master and Commander: The Far Side of the World-*** 1/2
5. The Triplets of Belleville-***
6. Bad Santa-***
7. Badasssss!-***
8. Pirates of the Caribbean: The Curse of the Black Pearl-***
9. School of Rock-***
10. Confidence-***

2004:

1. Eternal Sunshine of the Spotless Mind-****
2. The Life Aquatic-****
3. I Heart Huckabees-****
4. Hotel Rwanda-*** 1/2
5. Collateral-*** 1/2
6. Kill Bill Vol. 2-*** 1/2
7. Shaun of the Dead-*** 1/2
8. Friday Night Lights-*** 1/2
9. Primer-*** 1/2
10. Spartan-*** 1/2

2005:

1. The Proposition-****
2. A History of Violence-****
3. Wallace and Gromit: The Curse of the WereRabbit-****
4. Brick-*** 1/2
5. Kiss Kiss, Bang Bang-*** 1/2
6. Star Wars Episode III: Revenge of the Sith-*** 1/2
7. Batman Begins-***
8. The Call of Cthulhu-***
9. Dave Chappelle's Block Party-***
10. Enron: The Smartest Guys in the Room-***

2006:

1. Children of Men-****
2. A Scanner Darkly-****
3. The Departed-****
4. This is England-*** 1/2
5. Slither-*** 1/2
6. Casino Royal-*** 1/2
7. Borat-***
8. The Host-***
9. V For Vendetta-***
10. Stranger Than Fiction-***

2007:

1. Gone Baby Gone-****
2. No Country for Old Men-****
3. Hot Fuzz-****
4. Sicko-****
5. Perspolis-*** 1/2
6. The Assassination of Jesse James by the Coward Robert Ford-*** 1/2
7. The Simpsons Movie-*** 1/2
8. Ratatouille-*** 1/2
9. Control-*** 1/2
10. Superbad-***

2008:

1. The Wrestler-****
2. The Dark Knight-****
3. Burn After Reading-*** 1/2
4. Frost/Nixon-*** 1/2
5. Tropic Thunder-*** 1/2
6. The Curious Case of Benjamin Button-*** 1/2
7. Wallace and Gromit in a Matter of Loaf and Death-*** 1/2
8. Terribly Happy (Frygtelig lykkelig)-*** 1/2
9. Gran Torino-***
10. Waltz With Bashir-***

2009:

1. A Serious Man-****
2. In The Loop-****
3. (500) Days of Summer-****
4. Antichrist-****
5. Up-****
6. Inglourious Basterds-*** 1/2
7. Bad Lieutenant: Port of Call New Orleans-*** 1/2
8. The Hurt Locker-*** 1/2
9. District 9-*** 1/2
10. Up In The Air-*** 1/2

2010:

1. The Social Network-****
2. Inception-*** 1/2
3. Black Swan-*** 1/2
4. The Fighter-*** 1/2
5. Winter's Bone-*** 1/2
6. Hesher-*** 1/2
7. Scott Pilgrim vs. the World-*** 1/2
8. Kick-Ass-***
9. Shutter Island-***
10. How To Train Your Dragon-***

Thursday, December 2, 2010

Last Year at Marienbad (1961, Alain Resnais)




Not every movie has to make sense, or be an obvious traditional narrative. This French New Wave classic gets away with being rather mysterious and confusing, since that's the whole point. Existing as a dream, or a bizarre nightmare, you have two people struggling with their own memories, and haunted by past events that may or may not have happened. Shot in glorious black and white, with expert cinematography, it is a depiction of a house forgotten by time, yet populated with people when the scene or moment apparently calls for it.

The rather creepy and weird score only underlines scenes that can be best described as pieces of a mythical puzzle-one that is less Rubik's cube, but instead a twisted 10,000 pieces from a box puzzle that takes forever to finish. Part of the film's allure is that there are no easy answers, no attempts at understanding what is really going on. Just as dreams and past fragments of memory, having drifted away and become obscured, end up lacking consensus, even if they still have some meaning. There does not seem to be any rhythm or reason in what is happening, which reflects many dreams randomly composed of elements floating around in our heads.

Overlooked in this analysis is how obsessive the main male character is, as he is 100% convinced that he's right despite the protests of the woman he so eagerly follows. His persistence is a mix of stalker behavior and his desire for a woman who has cold grace and beauty. Her response ranges from rejection and suspicion, which then gives way to wondering if he is indeed correct about their previous affairs between one another. This then gives way to her saying no again, resulting the entire cycle beginning anew.

Romance is often presented in movies as way too wonderful, or being many bitter moments in time. What Resnais' does is present love as neither of those things, yet at the same time does not bother with realism when it suits his movie. The choices made by the final lingering shot could very well lead to another lifetime of regret and longing; one such character suffers such a fate, and becomes lost in a endless cycle of longing, left to their devices in the comfy corridors of an ancient monument to the past. 96

Tuesday, November 16, 2010

Cream of the Crop: 2010 Edition

This is the list of the best movies I've viewed this year out of over a 100 something films. All of them have scored 100s.

1. The Long Good Friday(1980)
2. Mulholland Dr.(2001)
3. A Clockwork Orange(1971)
4. Double Indemnity(1944)
5. Ed Wood(1994)
6. A Serious Man(2009)
7. The Social Network(2010)
8. The Exorcist: The Version You've Never Seen(2000)
9. Stop Making Sense(1984)
10. In The Loop(2009)

Tuesday, May 18, 2010

The Abominable Dr. Phibes (1971, Robert Fuest)




Ah, Vincent Price. Widely known as one of the greatest actors and called a “national treasure” by some, he is truly awesome. In the 1971 schlock cult classic The Abominable Dr. Phibes, Mr. Price gives a performance worthy of such praise; the surprising aspect of this role is that he hardly speaks at all, with his voice filtered through a microphone of sorts. No, he lets the murderous doctor and famous concert organist’s actions “speak” for themselves, and in the process delivers a juicy part that is sinister, creepy, and monstrous while still remaining a bit sympathetic.

Meanwhile, the British Inspector Trout finds himself dealing with a rash of odd and cruel murders, as doctors who shared a single operation are dropping like flies. Men are killed by bees, frozen like popsicles, drained of blood-and that’s just a sampling of the crazy deaths that happen in this film. Assisted by the lovely yet speechless Vulvia, Dr. Phibes plays dead while raining down his Old Testament inspired vengeance, with his methods coming strictly from the 10 plagues that God imposed upon ancient Egypt.

While the plot itself is nicely inspired and consists of gothic horror and dark comedy, the film has other great attributes. The set design, particularly Phibes’ mansion, is absolutely stunning and colorful. I loved how he has his own little wind up mechanical band, and the organ which he plays in the style of The Phantom of the Opera is vivid, lively, and awe-inspiring. Furthermore, I loved that the director brought in Orson Welles’ old acting buddy Joseph Cotton to play the head surgeon who is forced to go on the offensive with Trout; the two of them have a decent rapport even though early on the film establishes the relationship between Trout and the policeman assisting him.

Another wonderful aspect of the film is its humor, which often pops up unexpected and therefore is even funnier than it really should be. Like I mentioned before, what we have is relatively dark, dry, black comedy that draws from the murder and violence that Dr. Phibes has in ample spades. One of the killings is actually so incredibly silly that it becomes humorous right off the bat, and the expressions of Trout and his assistant make the mood even more laughable.

Proudly displaying an eerie and strange finale that is also oddly touching, this picture is one of the highlights of the 70s horror scene. Price was truly one hell of an actor, and the films that he often was a part of are sadly long gone relics of an older age. 90

Thursday, May 6, 2010

The Brood (1979, Cronenberg)





Despite not being as good as, say, Videodrome, I wonder if I'll see a movie from Cronenberg that is as nasty as this one. Combing disturbing murders with some rather truly gross moments, this is a movie that covers rage in Croneberg's usual style of the mind-body horror that is his bread and butter. Sure also helps that this was his way of covering his rather messy divorce, which I'm sure didn't help make his art any happier or less misogynistic, although I'm not sure this movie really hates on women. Breaking up leads to people creating some rather bleak things, I suppose.


From the outset, the viewer discovers that Oliver Reed's arrogant psychologist is going beyond the limits of science in an attempt to "Cure" his patients of their problems. However, he has become obsessed primarily with the protagonist's wife, who has intense rage problems and is too quick to blame everyone and anyone for the way she is. Unfortunately in this case, that leads to the creation of freaky deformed monsters that emerge from her and become her very own "Children," therefore body mutation results.


But if you thought the body mutation in Videodrome or Scanners was beyond insane, what happens to the wife is something straight out of a demented nightmare. Not only is there a murder scene that manages to be rather starling for being something out of a low budget 70s horror movie, but also the movie's climax is enough to unsettle most jaded fans of the genre. Nasty doesn't even begin to cover what ends up happening, and I'm not even sure I really understand what transpires.


The fact remains though that in some ways Cronenberg is wary of science gone amok, or at least he may feel that some protective measures need to be put in place. The Brood isn't so much a movie about a woman's violent impulses that manifest in murderous mutant monsters (try saying that three times fast), but is rather a mediation upon the dangers of pushing something too far. In addition to existing as a way of cleansing the feelings of someone who went through all too common experience-divorce. 88